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Articles, Edited and Accepted, Published Online

Writing Out Sound: Immersion and Inscription in Sound Art / Will Schrimshaw

Dr. Will Schrimshaw Performing Arts Department, Edge Hill University, Saint Helens Road, Ormskirk, Lancashire, L39 4QP Email: schrimsw@edghill.ac.uk Web: http://willschrimshaw.net Reference this essay: Schrimshaw, Will. “Writing Out Sound: Immersion and Inscription in Sound Art.” In Sound Curating, eds. Lanfranco Aceti, James Bulley, John Drever, and Ozden Sahin. Cambridge, MA: LEA / MIT Press, 2018. Published Online: December 15, 2018 Published in Print: […]

Articles, Edited and Accepted, Published Online

Media Art Retools / Barbara London

Barbara London Yale University School of Art Email: barbaralondon32@gmail.com Reference this essay: London, Barbara. “Media Art Retools.” In Sound Curating, eds. Lanfranco Aceti, James Bulley, John Drever, and Ozden Sahin. Cambridge, MA: LEA / MIT Press, 2018. Published Online: December 15, 2018 Published in Print: To Be Announced ISBN: 978-1-912685-55-4 (Print) 978-1-912685-56-1 (Electronic) ISSN: 1071-4391 Repository: To Be Announced Abstract  Barbara […]

Articles, Edited and Accepted, Published Online

Curating the Sound of the Word Revolution / Alan Dunn

Alan Dunn Senior Lecturer, Fine Art and MA Art & Design, Leeds Beckett University Email: a.dunn@leedsbeckett.ac.uk Web: www.alandunn67.co.uk Reference this essay: Dunn, Alan. “Curating the Sound of the Word Revolution.” In Sound Curating, eds. Lanfranco Aceti, James Bulley, John Drever, and Ozden Sahin. Cambridge, MA: LEA / MIT Press, 2018. Published Online: December 15, 2018 Published in Print: To Be Announced […]

Articles, Edited and Accepted, Published Online

Explorative Listening: A Phenomenological Approach to Sounding Artworks at Museums / Linnea Semmerling

Linnea Semmerling PhD Researcher – Maastricht University Email: l.semmerling@maastrichtuniversity.nl Reference this essay: Semmerling, Linnea. “Explorative Listening: A Phenomenological Approach to Sounding Artworks at Museums.” In Sound Curating, eds. Lanfranco Aceti, James Bulley, John Drever, and Ozden Sahin. Cambridge, MA: LEA / MIT Press, 2018. Published Online: December 15, 2018 Published in Print: To Be Announced ISBN: 978-1-912685-55-4 (Print) 978-1-912685-56-1 (Electronic) ISSN: 1071-4391 […]

Articles, Edited and Accepted, Published Online

Walking the Senses, Curating the Ears: Towards a Hybrid Flaneur/Flaneuse as ‘Orchestrator’ / Bill Psarras

Dr. Bill Psarras Artist, Adjunct Lecturer – Dept. of Audio and Visual Arts, Ionian University Email: vasillis.psarras@gmail.com Web: http://billpsarras.tumblr.com/ Reference this essay: Psarras, Bill. “Walking the Senses, Curating the Ears: Towards a Hybrid Flaneur/Flaneuse as ‘Orchestrator.’” In Sound Curating, eds. Lanfranco Aceti, James Bulley, John Drever, and Ozden Sahin. Cambridge, MA: LEA / MIT Press, 2018. Published Online: December 15, […]

Articles, Edited and Accepted, Published Online

A Messay on Sounding A Collection / Ian Stonehouse, Lisa Busby

Ian Stonehouse Head of the Electronic Music Studios, Dept. of Music, Goldsmiths, University of London, London, UK. Email: i.stonehouse@gold.ac.uk Web: http://homepages.gold.ac.uk/ianstonehouse/Home.html Dr. Lisa Busby Lecturer, Dept. of Music, Goldsmiths, University of London, London, UK. Email: l.busby@gold.ac.uk Web: http://lisabusby.com Reference this essay: Stonehouse, Ian, and Lisa Busby. “A Messay on Sounding A Collection.” In Sound Curating, eds. Lanfranco Aceti, James Bulley, John Drever, and […]

Articles, Edited and Accepted, Published Online

The Talking Drum / James Bulley, Astra Price

James Bulley PhD Student, Department of Music, Goldsmiths, University of London Email: j.bulley@gold.ac.uk Web: http://www.jamesbulley.com Astra Price Faculty, Program in Film and Video, California Institute of the Arts Archivist, Bill Viola Studio Email: aprice@calarts.edu Reference this essay: Bulley, James, and Astra Price. “The Talking Drum.” In Sound Curating, eds. Lanfranco Aceti, James Bulley, John Drever, and Ozden Sahin. Cambridge, MA: LEA […]

Articles, Edited and Accepted, Published Online

Martians, Moustaches, and Radio Drama / John F. Barber

John F. Barber Creative Media & Digital Culture Washington State University Vancouver, Vancouver, WA, USA Email: jfbarber@eaze.net Web: www.radionouspace.net/projects-reimaginedradio.html Reference this essay: Barber, John F. “Martians, Moustaches, and Radio Drama: A Case Study for Sound Art Curation by Re-Creation.”In Sound Curating, eds. Lanfranco Aceti, James Bulley, John Drever, and Ozden Sahin. Cambridge, MA: LEA / MIT Press. 2018. Published Online: December 15, […]

Articles, Edited and Accepted, Published Online

On Sound Display and Other (Bird)Cages / Daniele Balit

Daniele Balit Curator, Art Historian Email: danielebalit1@gmail.com Web: www.dbarchives.net Reference this essay: Balit, Daniele. “On Sound Display and Other (Bird)Cages.” In Sound Curating, eds. Lanfranco Aceti, James Bulley, John Drever, and Ozden Sahin. Cambridge, MA: LEA / MIT Press, 2018. Published Online: December 15, 2018 Published in Print: To Be Announced ISBN: 978-1-912685-55-4 (Print) 978-1-912685-56-1 (Electronic) ISSN: 1071-4391 Repository: To Be Announced […]

Articles, Edited and Accepted, Published Online

CURATING SOUND ART: A LONDON PERSPECTIVE / JUSTYNA BURZYNSKA

Justyna Burzynska Arts Policy and Management, Birkbeck, University of London, UK Email: j.burzynska@fashion.arts.ac.uk Web: To Be Announced Google Scholar: To Be Announced ORCID: To Be Announced Twitter: To Be Announced Reference this essay: Burzynska, Justyna. “Curating Sound Art: A London Perspective.” In Sound Curating, eds. Lanfranco Aceti, James Bulley, John Drever, and Ozden Sahin. Cambridge, MA: LEA / MIT Press, […]