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Leonardo Electronic Almanac / Volume 7, No. 10 / October 1999

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Leonardo Electronic Almanac
Volume 7, No.10
October 1999
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
This Issue
Craig Harris
 
FEATURE ARTICLES
From/to Body to/from Robot
by Machiko Kusahara
3 LEA Monographs: Rencontres du 13 avril
Introduced by Annick Bureaud
 
PROFILES
Obituary: Alexander Pavlovich Nemtin, 1936-1999
by Anton Rovner
Introduction to the Leonardo Journal and Leonardo Music Journal
Electronic Archive
Introduced by Patricia Bentson
 
LEONARDO DIGITAL REVIEWS
This Month’s Reviews
Michael Punt
 
OPPORTUNITIES
Columbia University job announcements
Job Opportunity-Univ. of N. Texas
SEAMUS-L: job announcement
 
ANNOUNCEMENTS
WSCG’2000 Call for papers – Int.Conf on Graphics, Visualization and Interactive Digital Media
Art In Motion
Cyberslag Foundation – Open Electronic Festival
 
ACKNOWLEDGMENTS
LEA WORLD WIDE WEB ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 7, No. 10 / October 1999

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.