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Leonardo Electronic Almanac / Volume 3, No. 9 / September 1995

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Leonardo Electronic Almanac
Volume 3, No. 9
September 1995
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION
This issue Craig Harris

FEATURE ARTICLES
THE A – Z OF   INTERACTIVE ARTS Roy Ascott

PUBLICATIONS
The Pattern Book: Fractals, Nature, and Art
Pickover: Further Reading
Pickover: Glossary extract
Pickover: A Tiny Fragment from the Massive Table of Contents
Pickover: About the Editor Clifford A. Pickover

LEONARDO DIGITAL REVIEWS Roger Malina et al
Conference Review: Siggraph 95 Annick Bureaud
Exhibition Catalog Review: El Rastro Paul Hertz
Journal Review: InterCommunication Curtis A. Karnow
Reviewer’s Bio: Kevin Murray

ANNOUNCEMENTS
Technology Links – New Images Through New Tools

JOBS/OPPORTUNITIES
Faculty Vacancy – University of Illinois at Urbana-Champaign School of Music Composition-Theory Division
San Francisco State University Art Department, Conceptual Design/Information Arts (Sabbatical Leave Replacement)
CCRMA Faculty Position

ACKNOWLEDGEMENTS
LEA WORLD WIDE WEB AND FTP ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION
ADVERTISING

Posted by:  Ozden Sahin (LEA Co-editor and Curator)

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.