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Leonardo Electronic Almanac / Volume 12, No. 10 / October 2004

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Leonardo Electronic Almanac
Volume 12, No. 10
October 2004
ISSN #1071-4391
 
TABLE of CONTENTS
 
EDITORIAL
Leonardo Educators Initiative & Abstracts Service
by Nisar Keshvani
 
FEATURE
Art by Telephone: From Static to Mobile Interfaces
by Adriana de Souza e Silva
 
LEONARDO ABSTRACTS SERVICE (LABS)
A Procedural Model for the Integration of Physical and Cyberspaces in Architecture
by Peter Anders
Principles of Metadesign: Processes and Levels of Co-Creation in the New Design Space
by Elisa Giaccardi
Phase Space Portraits of the Nuestra Señora delos Dolores of Baclayon
by Fatima Lasay
Language, Memory and Volition: Toward an Aesthetics of Computer Arts
by Maureen A. Nappi
 
LEONARDO REVIEWS
A Moment in Time: The Sardari Lal Parasher Retrospective
reviewed by Aparna Sharma
A Colloquium on Art/Science/Spirituality Reconnections within Emerging Planetary Cultures
reviewed by Judy Kupferman
Howard Zinn: You Can’t Be Neutral on a Moving Train
reviewed by Amy Ione
 
OPPORTUNITIES
CFP: MultiMedia Performance
CFP: Geography of Pain
CFP: Global Crossings (GX) Online Exhibition
Call for Submissions – Leonardo Abstracts Service

Leonardo Electronic Almanac / Volume 12, No. 10 / October 2004

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.