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Leonardo Electronic Almanac / Volume 9, No. 2 / February 2001

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Leonardo Electronic Almanac
Volume 9, No. 2
February 2001
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
Leonardo Lawsuit Update
Leonardo Auction
 
LEONARDO JOURNAL
Abstracts of Articles Forthcoming in Leonardo: Vol. 34, No. 2 (April 2001)
Table of Contents for Leonardo Vol. 34, No. 3 (June 2001)
 
LEONARDO DIGITAL REVIEWS
This Month’s Reviews
Michael Punt
From Handel to Hendrix: The Composer in the Public Sphere by Michael Chanan.
Reviewed by Sean Cubitt.
 
LEONARDO MUSIC JOURNAL
Ten Years of Leonardo Music Journal
Nicolas Collins
LMJ 10-Year Anniversary Event
 
ISAST NEWS
FluidArts: Leonardo/OLATS collaborate in new art and education venture
Virtual Africa: The Spirit and Power of Water
 
ENDNOTE
The Genome and Art: Finding Potential in Unlikely Places
Ellen K. Levy
 
ANNOUNCEMENTS
Tout-Fait: The Marcel Duchamp Studies Online Journal

Leonardo Electronic Almanac / Volume 9, No. 2 / February 2001

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.