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Leonardo Electronic Almanac / Volume 9, No. 10 / October 2001

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Leonardo Electronic Almanac
Volume 9, No. 10
October 2001
ISSN #1071-4391
 
TABLE of CONTENTS
 
EDITORIALS
The Cultural Foundations of Globalization
by Roger F. Malina
Can Ideas and Words Be Useful?
by Michele Emmer
Human Consciousness and the Postdigital Analogue
by Michael Punt
 
FROM THE EDITOR’S DESK
Responses to the U.S. terrorist attacks
 
FEATURED TEXTS
Abstraction, Action Painting, Ready Mades and All That…
by Jacques Mandelbrojt
 
LEONARDO DIGITAL REVIEWS
Ars Electronica 2001
Reviewed by Michael Punt
Carter Scholtz, 8 Pieces and Randy Hoestetler, Happily Ever After
Reviewed by Mike Mosher
 
ISAST NEWS
OLATS Announces Livres & Etudes by Edmond Couchot
Space Arts Workshop
LDR Panelists: Andreas Broeckmann, Sara Diamond and Robert Coburn
 
ANNOUNCEMENTS
Leonardo/ISAST Executive Director Position
The Art and Science of Interstellar Message Composition
BRIDGES: International Consortium on Collaboration in Art and Technology

Leonardo Electronic Almanac / Volume 9, No. 10 / October 2001

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.