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Leonardo Electronic Almanac / Volume 2, No. 6 / June 1994

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Leonardo Electronic Almanac
Volume 2, No. 6
June 1994
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION
The Leonardo Electronic Almanac Gallery
The MIT Press Worldwide Web site evolves Janet Fisher
The Computer Music Journal Internet Archive and World-Wide Web Home Page Stephen Pope
Letters to the Editor Sonya Rapoport
LEA Subscription Update
Errata

FEATURE ARTICLES
Hucklefine Mike Mosher
Storms, a hyperpoem Eduardo Kac

PROFILES
The File Room – an Interactive Computer Project addressing Cultural Censorship Muntadas and Randolph Street Gallery

LEONARDO DIGITAL REVIEWS Roger Malina et al
EXHIBITION REVIEW: A review of some recent interactive art: keep it out of art museums!
EXHIBITION REVIEW: Arte VirtuaL: Doce Propuestas de Arte Reactivo
CONFERENCE REVIEW: “Music & Multimedia ‘94”
LEONARDO MUSIC JOURNAL Welcomes New Editorial Board Member Douglas Kahn

ANNOUNCEMENTS
Cybernetics Exhibition – Saskatoon, Saskatchewan Cheryl Meszaros
International Conference on Auditory Display – Santa Fe Institute Gregory Kramer
Autour du Pere Castel et du Clavecin Oculaire – Call for Papers Michel Naranjo
Cosmic Collisions: A Celebration of the Impending Impact of Comet Shoemaker-Levy 9 on Jupiter Roger Malina

PUBLICATIONS
Computers & Graphics -Special issue on Computer Graphics Art Carl Machover

JOB ANNOUNCEMENTS
Two Posts at the Bournemouth University National Centre for Computer Animation
GRAME is seeking a computer science researcher.
Research studentships available at CAIIA

LEA FORMAT CONVENTIONS

LEA FTP ACCESS

LEA PUBLISHING & SUBSCRIPTION INFORMATION

Files:

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.