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Leonardo Electronic Almanac / Volume 2, No. 2 / February 1994

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Leonardo Electronic Almanac
Volume 2, No. 2
February 1994
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION
This issue
Letters to the Editor

FEATURE ARTICLES
Dialogue With The Knowbotic South Christian Huebler, Yvonne Wilhelm
The Numerical Relativity Jean-Francois Colonna

PROFILE
AT&T: New Experiments in Art & Technology Lisa Kirt

ANNOUNCEMENTS
The Re-Invented Image: CYPRES Aix en Provence Seeking Information on Intellectual Property rights,arts education and the new media Leonardo Call for Papers: Pioneers, Curators, Biotechnologists and Others
San Francisco Bay Area Musician’s Forum Bulletin Board
Surprise Party Online Art/Theory Exhibition
The Second ACM International Conference on Multimedia
International Colloquium on New Music Research -Composition, Perception and Performance
Earthworks, Space Art, Sky Art, Ocean Art, Telecommunications/Satellite Events
A Conference on The Inspiration of Astronomical Phenomena: The Effect of Astronomical Phenomena on Literature, Art, Myth, and History
Sculpture City International – Some answers to FAQ’s
Natural Science and Art / Art and Natural Science – Attempts at Encounter

PUBLICATIONS
Electronic Review Literary Magazine
Design and Technology Book Series

OBITUARY
Lejaren Hiller

JOB OPPORTUNITIES
Arts Wire Network Coordinator
News Director for Arts Wire
Kinetic Communication Designer Carnegie Mellon

LEA FORMAT CONVENTIONS

LEA FTP ACCESS

LEA SUBMISSION GUIDELINES & PAST ISSUES ON TECHINFO.MIT.EDU

LEA PUBLISHING & SUBSCRIPTION INFORMATION

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Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.