Old Issues

Leonardo Electronic Almanac / Volume 2, No. 12 / December 1994

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TABLE of CONTENTS

INTRODUCTION
This issue Craig Harris
Letters to the Editor Simon Penny, Janet Fisher, Bob Willey

FEATURE ARTICLES
Recent Works by Eduardo Kac

PROFILES
The Interactive Media Festival 1995 Lisa Goldman
WWW Site at The Academy of Media Arts Stuart Rosenberg

LEONARDO DIGITAL REVIEWS Roger Malina et al
CD-ROM Review: Bio-Morph Encyclopedia
Exhibition Catalog Review: Aligi Sassu, Pinturas 1927-1990
Book Review: Les Riches Heures de l’Alphabet
Book Review: Engineering and the Mind’s Eye
Book Review: Digital Mantras
World Wide Web Site Review: Mathart.com
World Wide Web Site Review: Avi Rozen
Leonardo Digital Review Notices
Leonardo Digital Reviews Classified Advertisements

ANNOUNCEMENTS
Call for Short Algorithmic Composition Shorts
Call for People who knew Lev Termen
Ylem on WWW
Final Call for THE ARTISTS’ CD-ROM SHOW
ISEA 95 Deadline Reminder

PUBLICATIONS
Elsevier begins its World Wide Web Service
JAC Online
The Duchamp Effect, A Special Issue of October

JOB ANNOUNCEMENTS
Time-based Computer Artist University of Maryland Baltimore County

LEA FORMAT CONVENTIONS

LEA FTP ACCESS

LEA PUBLISHING & SUBSCRIPTION INFORMATION

Posted by:  Ozden Sahin (LEA Co-editor and Curator)

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.