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Leonardo Electronic Almanac / Volume 10, No. 2 / February 2002

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Leonardo Electronic Almanac
Volume 10, No. 2
February 2002
ISSN #1071-4391
 
TABLE of CONTENTS
 
EDITORIAL
The Bridge is not the Gap: mapping new territories of media and mind.
by Roy Ascott
 
LEONARDO JOURNAL
Leonardo Music Journal, Vol. 11 – Introduction
 
LEONARDO DIGITAL REVIEWS
Secret Knowledge: Rediscovering the Lost Techniques of the Old
Masters, reviewed by Roy Behrens Art, Obsession and Possession: Is Freud Still Interesting?
Review article by Robert Pepperell
 
FEATURE
Healing Cultures through Digital Art
by Fatima Lasay
 
ISAST NEWS
Introducing two Leonardo/ISAST Board/Editorial Board members
 
OBITUARY
Ryszard Stanislawski
by Krzysztof Jurecki

Leonardo Electronic Almanac / Volume 10, No. 2 / February 2002

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.