Leonardo Electronic Almanac: 2005 - Volume
13
Peer Reviewers Index
last updated:
12 January 2006
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Established in 1993, Leonardo Electronic Almanac
(ISSN No: 1071 4391) is an international peer reviewed
electronic journal: before acceptance, every article
is reviewed and commented on, usually by three anonymous
reviewers. Based on these reviews, we make a decision
on whether to publish the text. In LEA, we currently
publish roughly 5 - 10% of the texts submitted for
publication consideration.
LEA covers a wide variety of fields, many of
them interdisciplinary and often in emerging areas
of artistic experimentation, research and scholarship.
Our peer-reviewers help us focus on new topics
of artistic interest, as other areas may move
out of the center of artistic experimentation
and become part of established disciplines. In
very new areas of inquiry, it is often difficult
for us to identify three reviewers competent to
review the work; in these cases, we may ask authors
themselves to suggest new reviewers for our peer-review
panel. The LEA network grows and evolves in a
very real sense through this process of collaborative
filtering. We wish to to warmly thank the 2004
reviewers who spent time writing very thoughtful
reviews on a volunteer basis. These reviews both
help us in making publication decisions and help
authors improve their texts.
Thank You Volume 13 (2005) Leonardo Electronic
Almanac Manuscript Peer Reviewers
Marla Schweppe The Institute for Cultural
Research, Lancaster University, U.K.
Guy Van Belle Research Fellow,
CACHe Project, History of Art,
Film & Visual Media, Birkbeck, University
of London, U.K.
Louise Poissant Research Fellow,
CACHe Project, History of Art,
Film & Visual Media, Birkbeck, University
of London, U.K.
Darren Tofts Swinburne University
of Technology, Australia
Steven Shaviro University of
Washington, U.S.A.
Dr Charlie Gere Reader in New
Media Research, The Institute for Cultural Research,
Lancaster University, U.K.
Dr Nick Lambert Research Fellow,
CACHe Project, History of Art,
Film & Visual Media, Birkbeck, University
of London, U.K.
Peter Weibel ZKM-Zentrum fuer
Kunst und Medientechnologie Karlsruhe, Germany
Dr Sarah Cook University of Sunderland,
U.K.
Prof Beryl Graham University
of Sunderland, U.K.
Patric Prince Art Historian, U.S.A.
Dr Jon McCormack Senior Lecturer,
Centre for Electronic Media Art (CEMA),
School of Computer Science and Software Engineering,
Monash University, Australia
Dr Eduardo Miranda Reader in
Artificial Intelligence and Music, School of Computing,
Communications & Electronics, University of
Plymouth, U.K.
Paul Brown Visiting Fellow, CACHe
Project, History of Art,
Film & Visual Media, Birkbeck, University
of London, U.K.
Catherine Mason Visiting Fellow,
CACHe Project, History of Art,
Film & Visual Media, Birkbeck, University
of London, U.K.
Kim Machan Multimedia Art Asia
Pacific (MAAP), Australia
Hock Soon Seah Nanyang Technological
University, Singapore
Adrian Cheok National University
of Singapore, Singapore
Vincent O'Donnell Royal Melbourne
Institute of Technology, Australia
Christian Reimann C-LAB, Germany
Osamu Katai Kyoto University,
Japan
Maria José Martinez de
Pison Ramon Polytechnic University of Valencia,
Spain
Michael Haller Upper Austria
University of Applied Science, Austria
Christopher Lindinger Ars Electronica,
Austria
Bruce Thomas University of South
Australia, Australia
Jason Arena Rochester Institute
of Technology, New York, U.S.A.
Cynthia Beth Rubin Rhode Island
School of Design, Connecticut, U.S.A.
Dena Eber School of Art, Bowling
Green State University, Ohio, U.S.A.
Greg Foss Pittsburgh Supercomputer
Center, Pennsylvania, U.S.A.
Anne Spalter Brown University
Graphics Group, Rhode Island, U.S.A.
Bill Klingensmith Rochester Institute
of Technology, New York, U.S.A.
Deanna Morse School of Communications,
Grand Valley State University, Miami, U.S.A.
Kathryn Farley Department of
Performance Studies, Northwestern University,
Illinois, U.S.A.
Virgil Moorefield Northwestern
University, Illinois, U.S.A.
David Z. Saltz Ph.D. Department
of Drama, University of Georgia, Georgia, U.S.A.
Drew Browning UIC School of Art
and Design, Illinois, U.S.A.
Sabrina Raaf University of
Illinois at Chicago, School of Art and Design,
U.S.A.
Andrea Polli Hunter College,
Dept. of Film and Media, NYC, U.S.A.
Lucy Petrovich Digital Arts,
College of Fine Arts, University of Arizona, U.S.A.
Marcel O'Gorman University of
Waterloo, Canada
Jennifer Machiorlatti School
of Communication, Western Michigan University,
U.S.A.
Camille Seaman Department of
Communication Studies, University of Iowa, U.S.A.
Randall Packer American University,
Washington DC, U.S.A.
Conrad Gleber Florida State
University, U.S.A.
Samirah Al-Kasim American University
in Cairo
Julio Bermudez Educator, U.S.A/Argentina
Choy Kok Kee Ngee Ann Polytechnic,
Singapore
Maria Fernandez Cornell University,
U.S.A /Nicaragua
Pamela Grant-Ryan Leonardo/ISAST,
U.S.A
Nisar Keshvani Leonardo Electronic
Almanac/Queensland University of Technology, Singapore/Australia
Jayachandran Palazhy Attakkalari
Centre for Movement Arts, India
Sundar Sarukkai National Institute
of Advanced Studies, India
Yacov Sharir University of Texas
at Austin, U.S.A
Rejane Spitz PUC-Rio University,
Brazil
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