CHAINS

Coded Messages: CHAINS was built with drum language passages from two important pieces in the Ewe repertoire; Gadzo and Adzogbo are pieces which have historical significance. Both have been used to arouse community support and cooperation in times of hardship and threatening circumstances. C.K. Ladzekpo, Professor of Music at U.C. Berkeley steered us to explore the vu gbe for Adzogbo. The interpretation of one passage of Adzogbo became the heart and the namesake of Coded Messages: CHAINS.
Dza dza, dza dza, dza dza, dza dza,
Avalokoe le ko na mi.
Dza dza, dza dza, dza dza, dza dza,
Avalokoe le ko na mi.

Me nyi ba na huto,
Me nyi ba na hesino.
Avalokoe le ko na mi,
Me nyi ba na huto,
Me nyi ba na hesino.
Avalokoe le ko na mi,
Our necks, our necks, our necks, our necks,
Chain will strangle without release.
Our hearts, our minds, our heads, our necks,
Chain will strangle without release.

Listen to the drummer,
Listen to your own song.
Chain will strangle without release.
Listen to the singer,
Listen to your own song.
Chain will strangle without release.

"Our necks…" is the foundation of CHAINS, the recurrent reference, and the thread of continuity. It appears in many forms: spoken, enacted, drummed, and danced; interpreted and reinterpreted. You can find it stated in different languages on the vu gbe page. On the whip page, you can find a more literal enactment.

Andruid Kerne created this total translation in consultation with Francis Kofi, C.K. Ladzekpo, and Gustav Hlomatsi. The passage, in its traditional context, served to incite the people to respond to a clear and present danger. Now, we are connected by chains, and bound, all of us, to the center. "CHAINS" became a linkage and a symbol, a rallying cry among the performers. Where "Coded Messages" is an abstraction, "CHAINS", is tangible, connecting the pain of history with the pain of the continuing, postcolonial relegation of Ghana to the margins of the global economy.

The Internet is also a medium of connection, playing a role in the cultural ecology to circulate information among those who are lucky enough to be connected. The whole peoples who are excluded are left relatively poorer than those with access. Thus the Internet functions as new chain of exclusion, binding those with access into a web of connectivity, and leaving the rest bound in silence. Owning the technology of information -- telephones, televisions, computers - is a dream for many people we met in Ghana. This is the subject of "Tele", where Francis chants "Chains of cybernet economy,", "Power Money Power Money", and "NBC, ABC BBC, GBC, CNN, IBM", interlocking crossrhythmically with the other performers, who chant, "Telephone Television Telephone Television" in a call and response form.

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